![]() ![]() If you want to make a time-lapse video of a walk around a city, you’ll run into some challenges when it comes to capturing this footage. The connection between movement and time-lapse. To compensate for the additional exposure, use a neutral density filter to dull the intensity of the light, especially if shooting in daytime. However, long exposure shooting is uncommon because of how challenging it can be to expose film for such an extended period. Long exposure time-lapse is great for capturing stars in the night sky because it collects enough light to properly record while also giving the scene an ethereal quality. It uses longer shutter speeds to intentionally obscure moving elements in your landscape. By doing this, the movement is given a stop-motion look, perfect for filming animals, sports, or other fast-moving objects without capturing unnecessary blur. Short exposure time-lapse uses a faster shutter speed to expose film to light for a brief period. The images are then strung together to create video-like motion. The subject doesn’t move but seems to be in motion because it’s manually or repeatedly moved and then photographed. A similar effect to time-lapse is found in stop-motion videos. Time-lapse can also refer to a camera’s shutter speed (how long the camera’s shutter remains open to let light in). Subtle processes that barely appear to the human eye, like plants growing or shifting weather patterns, are perfect subjects for time-lapse movies and photography. “It’s the reality around you, but sped up in a way that you can see it unfold in real time,” videographer and storm-chaser Mike Olbinski says. In a time-lapse video, the frame rate is stretched out far more: when played back at average speed, time appears to be sped up. In most videos, the frame rate and playback speed are the same. Frame rate is the number of images, or frames, that appear in a second of video. Time-lapse is a creative filming and video editing technique that manipulates how frame rate is captured. What are your opinions on the split-screen effect? Let us know in the comments.If you ever wanted to record an afternoon of the clouds floating by, stars moving through the night sky, or the hustle and bustle of a city street on a busy afternoon, time-lapse can help you capture the dynamic nature of those things in accelerated real-time videos. ![]() Once you’ve applied this same effect to the second clip, you can now add the bars from the title tool like we did before. After that, you’ll change the Wipe Angle to whichever angle fits your vision. Then, we’ll go back to the third clip and set the Transition Completion under the “Linear Wipe” effect to 40%. Follow the same steps for the second clip. Then, you’ll move the clip to whichever side of the frame you want. Then select the third track, go to Video Effects > Scale and set the scale to 75%. Then, open up Video Effects > Transitions > Linear Wipe and apply the wipe to the second and third tracks on your timeline. First, use all the clips in your timeline (in this case he uses three clips), make sure they’re the same length, and stack them on top of each other. Next, we learn how to create the uneven split screen that we see at the beginning of the video. You can change the width, color, and shape all within the Title tool window. The rest is as easy as choosing the line tool, drawing a line between the clips, and then customizing the line however you see fit. To add a different colored bar between the screens, add a Title to your project. Once you’ve done this, you’ll be able to drag the clip on top to the left or right - and vise versa for the clip underneath (on your timeline). To do this, you’ll see the Position option under “Video Effects.” This will allow you to drag the clip around the preview window as much as you’d like. Since each clip is full sized, you’ll need to crop the left and the right side of each clip by 25 percent, so go to Video Effects > Transform > Crop and then enter 25 for the left and right. Once you’ve cut the clips down to two individual clips of the same length, stack the second clip on top of the first. For a vertical two-screen split, take your two individual clips and create a new sequence. ![]()
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